502È£
¹Ú½ÅÀÇ, ±¸¿µ¹Î, ±èÀ±È¯ / The Gwanghwamun Square: Limits and Significances / Feature 02 / Dialogue / °ÇÃà / 110~117 / Å»»ê¾÷È, ¼öºÏ, Àå¼ÒÀÇ ¿ª»ç¼º, ÆÑÅ丮, ¿¬°ü¼º, ¹®·¡µ¿, ¾ÆÆ®ÆÑÅ丮, ¿¹¼ú È°µ¿ /
±è½Âȸ, °¿øÇÊ / ¼¿ï´ëÇб³, °æ¿µÀ§Ä¡°ÇÃà»ç»ç¹«¼Ò / ±è½Âȸ / The Gwanghwamun Square: Limits and Significances / Recent Work / °ÇÃà / 40~45 / ¸®³ëº£À̼Ç, º´¿ø, À¯¸®, ÄÜÅ©¸®Æ®, ¼øȯ Æ®·¢, ¿Á»ó Á¤¿ø /
501È£
Jose Forjaz, Vitor Tomas, Joao Melo / Á¶¼¼ Æ÷ÀÚÁî ¾ÆÅ°ÅØÅ佺 / The Trace of the Past that Completes the Present / Public Pr / Feature / °ÇÃà / 116~121 / ¸ðÀáºñÅ© ¸¶ÇªÅä½Ã, ´ëÇÐ Ä·ÆÛ½º, Áö½Ä ±³·ù, ȯ°æ½Ã¼³, ¾È¶ã, Â÷Æóȸ¶û, ÃֽŰǼ³±â¼ú /
µð¿¡º£µµ ÇÁ·£½Ã½º ÄÉ·¹ / µð¿¡º£µµ ÇÁ·£½Ã½º ÄÉ·¹ / The Trace of the Past that Completes the Present / Public Pr / Feature / °ÇÃà / 104~109 / ÁõÃà, Á¼Àº Æ´, º¼Æ®, ÀÚ¿¬ ȯ±â ½Ã½ºÅÛ, °£µµÁö¿ª, Ä¿¹Â´ÏƼ /
Á¶¼¼ Æ÷ÀÚÁî / The Trace of the Past that Completes the Present / Public Pr / Feature / Critique / °ÇÃà / 94~97 / Á¦3¼¼°è, µµ½Ã Çü¼º, »çÇ϶ó À̳² ¾ÆÇÁ¸®Ä«, Ä¿¹Â´ÏÄÉÀÌ¼Ç ±â¼ú, µµ½Ã ¹®È, ȯ°æ Á¶°Ç /